This Mary Russell writes comedy so well!! The repartee between the characters at dinner are intelligent and hilarious. I want to be Anne's dinner guest. I already love Emilio the reformed Puerto Rican drug dealer who was saved by entering the priesthood. I have had a fascination with Jesuits ever since studying their inception of and involvement in the Sandinista movement in 1980's Nicaragua. Bad-Ass Holy Men! And Anne, the MD-agnostic-braniac with a mouth of a sailor and a heart of gold--what can I say--I love her too-an older woman who is still very much sentient and sensual. I love how she cooks food from the ethnic/cultural background of her guest. And Sophia, the Sephardic Jew intellectual slave (what a creatice concept),--I want so badly for her to get kissed by Emilio! She needs it desparately. I also like the way Russell shows the media frenzy/misinformation surrounding the discovery of the Singers. The whirl of rumor/skepticism, conflated with the inability of established power to act efficiently enough to form a mission that took the Jesuits relative moments to put together, was so ironic, yet believable. You gotta know the Jesuits. This book has more cussing in it than I have ever read. I am not comfortable with the amount (cuss words should be like salt and pepper-used sparingly for the best effect) and not sure why she adds so much--is it to give emphasis to the beauty of imperfect reality? Is this how people she knows really talk? What do you think so far?5.19.2009
Sparrow Suprises
This Mary Russell writes comedy so well!! The repartee between the characters at dinner are intelligent and hilarious. I want to be Anne's dinner guest. I already love Emilio the reformed Puerto Rican drug dealer who was saved by entering the priesthood. I have had a fascination with Jesuits ever since studying their inception of and involvement in the Sandinista movement in 1980's Nicaragua. Bad-Ass Holy Men! And Anne, the MD-agnostic-braniac with a mouth of a sailor and a heart of gold--what can I say--I love her too-an older woman who is still very much sentient and sensual. I love how she cooks food from the ethnic/cultural background of her guest. And Sophia, the Sephardic Jew intellectual slave (what a creatice concept),--I want so badly for her to get kissed by Emilio! She needs it desparately. I also like the way Russell shows the media frenzy/misinformation surrounding the discovery of the Singers. The whirl of rumor/skepticism, conflated with the inability of established power to act efficiently enough to form a mission that took the Jesuits relative moments to put together, was so ironic, yet believable. You gotta know the Jesuits. This book has more cussing in it than I have ever read. I am not comfortable with the amount (cuss words should be like salt and pepper-used sparingly for the best effect) and not sure why she adds so much--is it to give emphasis to the beauty of imperfect reality? Is this how people she knows really talk? What do you think so far?
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